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1、学校代码10459学号或申请号201512323424密级硕士学位论文“简”、“淡”、“远”与渐江山水画作者姓名:姜梦导师姓名:邬建教授学科门类:艺术学专业名称:美术学培养院系:美术学院完成时间:2018年5月AthesissubmittedtoZhengzhouUniversityForthedegreeofMasterJian,dan,yuanandJianJiang'slandscapepaintingByJiangMengTutor:Prof.WuJianLiberalArtFineArtsMarch2018
2、摘要摘要渐江是明末清初遗民画家的代表,面对王朝易主时,选择放逸于山水间,寄情于书画中,其山水画语言取之于黄山,笔墨简淡,格局简约,意境幽远,形成了清冷的山水画风貌,对当时的新安画派和清初画坛产生深远的影响。“简”、“淡”、“远”是渐江山水画呈现出来的审美意境,这种审美意境依托于渐江山水画的构图、笔墨等语言方式中。本文将“简”与构图、“淡”与笔墨、“远”与意境分别对应进行阐述。渐江山水画的“简”主要体现在构图中,表现为简约的空间布局、几何形的山石和大片的空白;“淡”主要对应笔墨,枯疏的用笔和淡润的墨色在画面中呈现出“淡
3、”的意味;“远”是境界,是渐江内心对世俗的远离和画面营造的幽远意境。由此,本文着力揭示渐江以“简”的构图和“淡”的笔墨营造出“远”的山水意境,即渐江山水画中所呈现的“简”、“淡”、“远”的艺术风格。关键词:渐江山水画;“简”;“淡”;“远”IAbstractAbstractJiangisarepresentativeofthelateMingdynastyatthebeginningoftheqingdynastypainter,facingWangChaoyimaster,choosetoeaseintheland
4、scape,areplacedinthecalligraphyandpainting,thelandscapepaintinglanguagetohuangshan,penandink,Janestructuresimplicity,artisticconceptioncounty,formedacoldlandscapepaintingstyle,xinanpaintingandpaintingatthebeginningoftheqingdynastytothetimeoftheprofoundeffect."J
5、ane","light"and"far"aretheaestheticartisticconceptionpresentedbythegradualriverlandscapepainting,whichisbasedonthecomposition,penandinkandotherlanguagemethods.Inthispaper,"Jane"andcomposition,"light"andpenandink,"far"andartisticconceptionarerespectivelydescribe
6、d.The"Jane"oftheriverlandscapepaintingismainlyreflectedinthecomposition,whichischaracterizedbysimplespatiallayout,geometricmountainstoneandlargeblankspace.The"light"mainlycorrespondstothepenandink,thedrybrushandthepaleinkcolorinthepictureshow"light";"Far"isther
7、ealm,istheinnerpartoftheinnerworldawayfromthesecularandtheimageoftheremoteartisticconception.Asaresult,thispaperfocusonrevealthecompositionandjiangto"Jane"and"light"penandinktocreatelandscapeartisticconceptionof"far",namely,jiangpresentedduringthelandscapepaint
8、ing"Jane","light",theartisticstyleof"far".Keywords:JianjiangLandscapepainting;Jian;Dan;YuanII目录目录摘要..........................................................................