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1、PRAISEFORAHUNGERFORAESTHETICS“Inelegantandtrenchantcommentariesoninfluentialtwentieth-centuryart-(CONTINUEDFROMFRONTFLAP)ists,artmovements,andarttheories(rangingfromJohnDeweytoSusanSontagAHUNGERFORAESTHETICSFordecades,aestheticshasbeensubjectedAHUNGERF
2、ORAESTHETICSandfromPoparttoDorisSalcedo),MichaelKellyinterrogatesthe‘anti-aesthetic’toavarietyofcritiques,oftenconcerningstanceamongcertainartistsandcriticsandinrecenthistoriesandphilosophiesitstreatmentofbeautyortheautonomyofSalcedo’senactmentsofsuffe
3、ringcausedbyofthearts,andreinvigoratesthepossibilityofarobustcriticalaestheticsofart.art.Collectively,thesecomplaintshavegen-socialinjustice.ThroughoutAHungerforWeavingcarefulattentiontotheaesthetic,social,andethicalclaimsofparticulareratedananti-aesth
4、eticstanceprevalentinAesthetics,herevealstheplaceofcritiqueartworkswithaninvestigationofarangeofphilosophicalandcriticalresponsesENACTINGTHEDEMANDSOFARTthecontemporaryartworld.Yetifweex-incontemporaryart,which,ifweunder-tothem,Kellyshowsthattheveryposs
5、ibilitiesofartascritiqueandofthecri-aminethemotivationsforthesecritiques,standaestheticsascritique,confirmsthatittiqueofartdemand—even‘hungerfor’—anaestheticsthataddressesthemoral-MichaelKellyargues,wefindtheoristsandisintegraltoart.Meetingthedemandfor
6、politicalstakesandlimitsofart.Kelly’sexplicationanddefenseofaestheticsastheartistshungeringforanewkindofaesthet-aestheticsvoicedbymanywhoparticipategroundsofartcritique—ratherthaninimicaltoit—willinterestnotonlyphiloso-ics,onebettercalibratedtocontempo
7、raryinart,Kellyadvocatesforacriticalaesthet-phersofartandaestheticiansofallstripes.Indevelopingtheoreticalresourcesicsthatconfirmsthelimitlesspowerofart.torenewtherelationsbetweenaestheticsandethics,socialtheory,andpoliticalartanditsmoralandpoliticalde
8、mands.economy,itwillcommandthecloseattentionofcurators,historians,sociologists,andpractitionersofthearts,especiallythosewhohavebeentemptedtoabandonFollowingananalysisoftheworkofStan-aesthetics.”leyCavell,ArthurDanto,UmbertoEco,Su-Michae
