艺术、设计、建筑中的现代主义

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1、ThisbookintroducestheideasofModernismandtheirpostmodernevolutioninaclearandengagingargumentthatlinksthedevelopmentofvisuafculturetothesocialandpoliticalconditionsinwhichitisproduced.Itestablisheskeyconceptsandcriticaltermsofreferenceattheoutsetbeforetakingthereaderthr

2、oughtheevolutionofthetwentiethcentury'svisualcultureinalivelyandapproachableway.ItwastheculturalprocessesoftheEnlightenmentandthesubsequentdevelopmentofindustrialculturesthatinformedtheearlyideasofModernismandledtoaworldofrapidcommunication,fastcarsandcitiesfilledwith

3、skyscrapersandconsumergoods.Italsocreated1worldinwhichenvironmentaldisasterloomsandwheretheculturallegacyofEuropeancolonialisationhasstilltobeunravelled.Thepost-industrial,postmodernworldoftheinternetandvirtualrealityischallengingthemonocultureofModernism,andcelebrate

4、sculturaldiversityandmultiplicity.Ournewagehasculturalproblemsthatalsoneedunpacking.Inaworlditofmanyvoices,whosevoicenowdirectsvisualculture-themuchlaudedindividual'sorthatof^Otransnationalcorporations?Art,designandarchitecturedonotexistinavacuum;rather,theyareformedb

5、ytheculturesfromwhichtheyemerge.ThisbookexaminesthewayinwhichvisualculturereflectsItsconceptualandphysicaloriginsinelite,andmass,culturalpractices.Assuchitisaninvaluableintroductorytextforstudentsofarthistoryandtheory,architecture,designandculturalstudies,aswellasstud

6、entsinrelatedhumanitiesandsocialsciencesubjects.Foranoteontheauthor,pleaseseethebackflapi

7、herCouchAllrightsreserved.Nopartofthisbookmaybeusedorreproducedinanymannerwhatsoeverwithoutwrittenpermissionexceptinthecaseofbriefquotationsembodiedincriticalarticlesorreviews.Forinformation,address:St.Martin'sPress,ScholarlyandReferenceDivision,175FifthAvenue,NewYork

8、,N.Y.10010FirstpublishedintheUnitedStatesofAmericain1999Thisbookisprintedonpapersuitableforrecyclingandmadefromfullymanageda