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1、AudioProductionAndcriticAllisteningTechnicalEarTrainingJASONCOREYAMSTERDAM•BOSTON•HEIDELBERG•LONDON•NEWYORK•OXFORDPARIS•SANDIEGO•SANFRANCISCO•SINGAPORE•SYDNEY•TOKYOFocalPressisanimprintofElsevierFocalPressisanimprintofElsevier30CorporateDrive,Suite400,Burlington,MA01803,USATheBoulevard,La
2、ngfordLane,Kidlington,Oxford,OX51GB,UK©2010Elsevier,Inc.Allrightsreserved.Nopartofthispublicationmaybereproducedortransmittedinanyformorbyanymeans,electronicormechanical,includingphotocopying,recording,oranyinformationstorageandretrievalsystem,withoutpermissioninwritingfromthepublisher.De
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4、protectedundercopyrightbythePublisher(otherthanasmaybenotedherein).NoticesKnowledgeandbestpracticeinthisfieldareconstantlychanging.Asnewresearchandexperiencebroadenourunderstanding,changesinresearchmethods,professionalpractices,ormedicaltreatmentmaybecomenecessary.Practitionersandresearch
5、ersmustalwaysrelyontheirownexperienceandknowledgeinevaluatingandusinganyinformation,methods,compounds,orexperimentsdescribedherein.Inusingsuchinformationormethodstheyshouldbemindfuloftheirownsafetyandthesafetyofothers,includingpartiesforwhomtheyhaveaprofessionalresponsibility.Tothefullest
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7、ressCataloging-in-PublicationDataCorey,Jason.Audioproductionandcriticallistening:technicaleartraining/JasonCorey.p.cm.Includesbibliographicalreferencesandindex.ISBN978-0-240-81295-3(alk.paper)1.Auditoryperception.2.Listening.3.Eartraining.4.Sound—Recordingandreprodu