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1、ChangesofBritishmen'sclothingOutline:MenswearinMedievalTimes(5th-15th)duringRenaissance(16th-17th)intheBaroqueEra(17th-18th)inVictorianEra(1837-1901)inModernTimesInmedievalperiod,theRomanCatholicChurchheldswayovermanyEuropeancountriesincludingEngland.Thechurchpreacheda
2、sceticism禁欲主义,opposedextravaganceandadvocatedsimpleandplainclothingstyle.MiddleAgesSeveralfeatures:Threemajorcolors:blackwhitegrayThemaintextiles:woolenclothforthenobility;linencloth亚麻forthehumbleTherelationbetweenclothingandsocialstatus:Brightercolors,bettermaterials,
3、andalongerjacketlengthwereusuallysignsofgreaterwealth.Themaninthepicturewearsthebasicmedievalgarments:atunic,probablyofwool,slightlyfittedwithahighneckandlongsleeves,usuallywornoveralinenshirt.Atthattime,menswearandwomen’sdresswerequitealike.TheRenaissancewasslowinreac
4、hingEnglandintheearly16thcentury.ThenewfeelingofadmirationforhumanbeautyandhumanachievementwasownedbymoreandmoreBritishpeople.Theclothingatthattimeseemedtoaneffectivetooltoindicatethephysiologicaldifferencesbetweenmaleandfemale,forinstance,itbecomemuchskintighttoshowth
5、ebodycurve.Agreatnumberofextrafillingmaterialswereaddedinthejacket(上衣)toaddbreadthtoshouldersaswellaschest,andthelowerpartofthebodywastightlywrapped.Thiskindofgarmenthighlightedthebeautyofmasculine,formaninthisoutfitlookedstronger,taller.TheBaroqueEra(巴洛克时代)Itwasanextr
6、aordinaryagethatmen’sclothingwasusuallyatleastaselaborateandluxuriousaswomen’sclothing.Luxuriousfabrics:lace,ribbon,silkDecorativeornament:jewelry,embroideryBrightcolors:red,yellow,goldenSplendorsymbolizedpowerandstatusMainfeatures:Fancy,splendid,elaboratemenswearattha
7、ttimeseemstobefoppishandeffeminatenowadays.Aratherlargefallingcollar软榻领encompassesmuchoftheshouldersBeautifulembroideryLacecuffTheheelswereincreasedinheightTiedwithribbonScottishkilt(基尔特)ThekiltoriginatedfromthetraditionaldressofthemenandboyintheScottishhighland.Todaym
8、ostScotsmenregardkiltasformaldressornationaldress.Itisgenerallywornatweddingorotherformaloccasions,muchthesameastailc