幽默讽刺的话

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1、篇一：论《围城》中幽默与讽刺的语言艺术论《围城》中幽默与讽刺的语言艺术摘要：钱钟书的《围城》是中国现代文学史上一部风格独特的讽刺小说。《围城》的语言之所以具有幽默讽刺的鲜明特色，这主要得益于叙述语言自身的幽默俏皮。本文试从《围城》的语言特色、修辞手法、心理描写以及无锡方言等四个方面对钱钟书语言艺术进行探讨，通过作者冷嘲热讽、嬉笑怒骂的语言表达，展示出作者对人性、人生和人类的体察与思考。关键词：《围城》；小说；幽默；讽刺；语言thetheoryoffortressbesiegedinhumorandir

2、onyartoflanguagekeywords:fortressbesieged;novel;humor;irony;language目录中文摘要··································································ⅰ英文摘要··································································ⅰ引言·······································

3、····························1一、语言自身的幽默讽刺特色·················································3（一）谐音造成语义落差···················································3（二）同形异义造成语义落差···············································4（三）旧词新用造成语义落差························

4、·······················4二、修辞手法增强幽默讽刺意味···············································5（一）丰富的比喻·························································5（二）新奇的夸张·························································6（三）鲜明的对比···························

5、······························6三、心理描写凸显幽默讽刺风格················································8四、无锡方言加深幽默讽刺氛围···············································9结语··································································11参考文献·······················

6、···········································12后记··································································13引言在我国的近代文学史中，仅仅凭借着一部《围城》以及四部短篇小说就奠定了其地位的作家，我想，除了钱钟书先生，很难再想到其他人了。《围城》是一部极具幽默讽刺风格之作。捧读《围城》，惊诧于钱先生的宏观博识，妙喻连珠，他以他那如椽巨笔，犀利、俏皮而又机智地流淌出无穷无尽的笑料和幽默

7、。社会、人生、道德、伦理都是他嘲讽的对象，并借助于幽默、戏谑的方式揭示出来，以达到讽刺的目的。构成一部作品的风格的因素很多。有的依赖于题材的选择，有的凭借结构的巧妙安排，有的来源于词语的搭配和句式的转换，有的则在于成功地运用修辞方法。其中起主要作用的是语言自身的表达。因为语言是思想最直接的外壳，当人们阅读一部文学作品时，首先触及的便是它的语言。正如鲁迅、老舍等文学巨匠，即使我们不看署名，仅凭其作品的语言的特点和个人独特的写作风格，也能辨别出来哪些是他们的作品。钱钟书的《围城》立意于讽刺，但不同于许多作

8、家那样的锋芒毕露，更多的是以幽默、戏谑的方式，含蓄地表达出来，以调侃式口吻来表达，从而引起社会大众的共鸣。鲁迅就反对林语堂那样纯为寻开心而脱离社会讽刺的幽默。他说，“讽刺文学若不能切中弊端，是能死于自身的故意的戏笑的。”[1]同时，他又认为讽刺不能脱离幽默，讽刺文学的上品是“感而能谐，婉而多讽。”[2]也就是说，既要保持内容上的严肃性，又要在格调上表现出诙谐委婉的风格。钱钟书对于幽默有着自己独到的见解。他认为“真正的幽默是能反躬自笑的。[2]《且介亭杂文