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1、ThisbookisacontinuationofVolumeI,ModernMethodforGuitar.Mostofthetermsandtechniquesaredirectlyevolvedfrommaterialpresentedthere.Forexample,theentirefingerboardiscoveredatonceinthefivepositionCMajorscalestudy.Thisisaccomplishedbyconnectingthefourbasic(types1,2,3,4)andone
2、derivative(type1A)fingeringpatternsthatwere,hopefully,masteredfromthefirstbook.(Thesequenceoffinger-ingtypeswillvaryfrompositiontopositionuptheneck,dependinguponthekey.)StudyallmaterialinsequenceasIhavetriedtorelate,asmuchaspos-sible,allnewtechniques(physicalandtheoret
3、ical)tosomethingalreadylearned.Allmusicisagainoriginalandhasbeencreatedespeciallyforthepresen-tationandperfectionofthelessonmaterial.Pleasebeadvisedthatthepagesdevotedtotheoryarenotintendedtore-placetheseriousstudyofthissubjectwithacompetentteacher,butonlyto,perhaps,in
4、triguethemoreinquisitivestudentandmaybeshedsomelightintothemysteriousworkingsofmusicforguitarplayersingeneral.Asbefore,goodluckandhavefun.WilliamG.LeavittALLSCALES(MAJ.andMINetc.)WILLBEDERIVEDFROMTHESEFOURBASICMAJORSCALEFINGERINGPATTERNS.ULTIMATELY5MAJORKEYSWILLBEPOSSI
5、BLEINEACHPOSITIONWITHTYPE1ANDITS'FOURDERIVA-TIVEFINGERINGPATTERNS-1A,1B,1C,AND1D.THISSAMEFACTAPPLIESTOTYPE4WITHITS'DERIVATIVES4A,4B,4C,AND4D.FINGERINGTYPES2AND3HAVENODERIVATIVEMAJ.FINGERINGPATTERNS.((S)=fingerstretch)(FMAJ.ASCENDING)(OBSERVETHEFINGERING-NOTECOMMONFINGE
6、R(S)BETWEENMOSTFORMS)Maketheupstrokesoundasmuchlikethedownstrokeaspossiblebyfavoringthelowerstringswiththereturningupstrokeofthepick.Therewillbeaslightnaturalaccentonbeats2and4becauseofthedownstrokehittingtheheavystringsfirst-butthisisgood,asitiscomparabletothedrummers
7、useofthehi-hatcymbalonthesebeats.(GMaj.Ascending)MOSTOFTHECHORDFORMPAGESFROMHEREONAREHIGHLYCON-CENTRATED.IRECOMMENDTHATYOUPRACTICEONELINEATATIMEWHILEGOINGONWITHTHENOTESTUDIESONTHEFOLLOWINGPAGES.KEEPCOMINGBACKPERIODICALLYUNTILALLFORMSANDSEQUENCESAREMASTERED.(DMaj.-Ascen
8、ding)(AMaj.-Ascending)Note:Thesestrokesareusedwithregularaccousticandamplified(high-register)rhythmplaying.DONOTBECON
