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1、SHAKESPEARE,THEORY,ANDPERFORMANCEShakespeare,Theory,andPerformanceisagroundbreakingcollectionofessayswhichbringsafullrangeofcontemporarycriticalperspectivestobearuponthepracticalquestionsofperformingShakespeare.ContributorsfromtheatreandShakespeareanstudies
2、cometogethertoofferafascinatingoverviewoftheproductiveinterplaybetweenculturalmaterialism,theatresemiotics,feminism,deconstruction,andperformancecriticism.Amongtheissuesconsideredare:•textualindeterminacyandthecontingenciesofperformance•implicationsofgender
3、,race,andclassforaudienceresponse•readingtheactor’sbodyasasiteofculturalinscription•postcolonialstrategiesforperformingthe“hegemonic”Shakespeare•theimpactoftechnologyonthestudyofperformanceastext.Shakespeare,Theory,andPerformanceconstitutesanexcitingdevelop
4、mentwithintheexpandingfieldofShakespeareanperformancestudies.Itwillbeofparticularinteresttostudentsandteachersoftheatre,Renaissanceliterature,andliterarytheory.JamesC.BulmanisDeanoftheCollegeandProfessorofEnglishatAlleghenyCollege,Pennsylvania.Heisgeneraled
5、itorofManchester’s“ShakespeareinPerformance”seriesandiscurrentlypreparinganeweditionofHenryIV,PartTwofortheArdenShakespeareseries.SHAKESPEARE,THEORY,ANDPERFORMANCEEditedbyJamesC.BulmanLondonandNewYorkFirstpublished1996byRoutledge11NewFetterLane,LondonEC4P4E
6、EThiseditionpublishedintheTaylor&Francise-Library,2005.“TopurchaseyourowncopyofthisoranyofTaylor&FrancisorRoutledge’scollectionofthousandsofeBookspleasegotowww.eBookstore.tandf.co.uk.”SimultaneouslypublishedintheUSAandCanadabyRoutledge29West35thStreet,NewYo
7、rk,NY10001Editorialmatter©1996JamesC.BulmanIndividualchapters©respectivecontributorAllrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilizedinanyformorbyanyelectronic,mechanical,orothermeans,nowknownorhereafterinvented,includingphotocopyingandr
8、ecording,orinanyinformationstorageandretrievalsystem,withoutpermissioninwritingfromthepublishers.BritishLibraryCataloguinginPublicationDataAcataloguerecordforthisbookisavailablefromtheBritishLibraryLib
