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1、BrockmannAhistoryofGermanfilmdealingwithindividualfilmsasworksofarthaslongbeenneeded.Existinghistoriestendtotreatcinemaasaneconomicratherthananaestheticphenom-enon;earliersurveysthatdoengagewithindividualfilmsdonotincludefilmsofrecentdecades.Thisbooktreatsrepresentativefilmsfromthebe
2、ginningsofGermanfilmtothepresent.Provid-ACriticalHistoryinghistoricalcontextthroughanintroductionandinterchaptersprecedingthetreatmentsofeacherasfilms,thevolumeissuitableofGermanFilmforsemester-oryear-longsurveycoursesandforanyonewithaninterestinGermancinema.Thefilms:TheStudentofPr
3、ague—TheCabinetofDr.Caligari—TheLastLaugh—Metropolis—TheBlueAngel—M—TriumphoftheWill—TheGreatLove—TheMurderersareAmongUs—SunSeekers—TraceofStones—TheLegendofPaulandPaula—SoloSunny—TheBridge—YoungTörless—Aguirre,TheWrathofGod—GermanyinAutumn—TheMarriageofMariaBraun—TheTinDrum—Mar
4、ianneandJuliane—WingsofDesire—Maybe,MaybeNot—Rossini—RunLolaRun—GoodByeLenin!—HeadOn—TheLivesofOthersStephenBrockmannisProfessorofGermanatCarnegieMellonUniversityandpresident-electoftheGermanStudiesAssociation.HereceivedtheGermanAcademicExchangeServices2007PrizeforDis-tinguished
5、ScholarshipinGermanandEuropeanStudies.Coverimage:EmilJannings,asthedoorman,beingfilmedonthesetofFriedrichMurnausDerletzteMann(Ufa,1924).PhotographcourtesyoftheFilmmuseumPotsdam.668Mt.HopeAvenue,Rochester,NY14620-2731,USAP.O.Box9,Woodbridge,SuffolkIP123DF,UKwww.camden-house.comwww
6、.boydellandbrewer.comACriticalHistoryofGermanFilmBrockmann5.inddi9/25/20102:57:24PMStudiesinGermanLiterature,Linguistics,andCultureBrockmann5.inddii9/25/20102:57:57PMACriticalHistoryofGermanFilmStephenBrockmannRochester,NewYorkBrockmann5.inddiii9/25/20102:57:57PMCopyright©2010St
7、ephenBrockmannAllRightsReserved.Exceptaspermittedundercurrentlegislation,nopartofthisworkmaybephotocopied,storedinaretrievalsystem,published,performedinpublic,adapted,broadcast,transmitted,recorded,orreproducedinanyformorbyanymeans,withoutthepriorpermissionofthecopyrightowner.Fi
8、rstpublished2010byCamdenHouseCamdenHouseisanimp
