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1、STS15549THEARTOFTHESPANISHGUITARJOHNWILLIAMSALBÉNIZ•VILLA-LOBOS•GRANADOS•SORANDOTHERSSIDEONESIDETWO1.LaTorreBermeja(Albéniz)(4:07)1.VariationsonathemeofMozart,Op.9(FernandoSor,arr.Segovia)(6:46)2.ThreeMexicanSongs(ManuelPonce,arr.Segovia)(6:34)2.OracionStudyinE(AndrésSegovia
2、)(3:12)LaPajarera3.Estudio(AndrésSegovia)(2:07)PortimiCorazón4.Humorada(PaquitaMadriguera)(1:47)LaValentina5.Barcarolle(AlexandreTansman,arr.Segovia)(3:16)3.EtudeNo.1inEminor(Villa-Lobos)(1:57)6.LaMajadeGoya(EnriqueGranados,trans.MiguelLlobet)(4:44)4.Norteña(GomezCrespo)(3:2
3、6)7.ValseCriollo(AntonioLauro)(2:36)5.VariationsonaCatalanFolkSong,Op.25"CancodelLlabre"(J.W.Duarte)(9:30)LaTorreBermeja(IsaacAlbéniz)VariationsonaCatalanFolkSongopus25—OracionStudyinE(AndrésSegovia)This,thelastoftheTwelveCharacteristicPieces,Op.92is"CancodelLlabre"(J.W.Duar
4、te)Estudio(AndrésSegovia)typicalofAlbéniz(1860-1909)thebrilliantpianist,andtheTheauthor(b.1919)wrotetheseVariationsatthesuggestionofHumorada(PaquitaMadriguera)composersteepedintheromanticratherthantheprimitiveJohnWilliams;theycoverawiderangeoftheguitar'sTheincomparableAndrés
5、SegoviaisalreadyalegendinhisownappealofSpanishfolkmusic.Thoughhewrotenoguitarmusicpotentialitiesand,especiallyintheFinale,severelytestthelifetime,butasacomposerheislesswellknown—largelyduehispianoworksarefullofguitar-likefigurationandmanyofplayer'stechnique.Thetheme,TheRobbe
6、r'sSong,wasarrangedtohisowndiffidence.Asthesetwopiecesshow,theMaestroisthemtranscribequitenaturallyforthatinstrument.ThisisfortheguitarbythelateMiguelLlobetandhasbeenpreservedanaccomplishedcomposerofdelicateminiatures;thefirst,ahardlysurprisingwhenoneconsidershowdeeplythesou
7、ndsintheform.Thevariationsareconstructedinavarietyofways.prayerforhisbelovedfriendManuelPonce,isfromhisbookofandcharacteristictexturesoftheguitarmusthavepenetratedDailyStudies;thesecondisdedicatedto'Paquita',hiswife,whointohismusicalthinking.AlbénizexpressedapreferenceforVar
8、iationI(D):Builtfromarhythmicvariantoftheopeningofalsoappearshereasagracefu
